The official shortlist for the Hugo (one of the top awards for science fiction and fantasy books, stories, movies, TV shows, art and more) has just been released. Here are the candidates in the best novel category:

The Yiddish Policeman’s Union by Michael Chabon
Brasyl by Ian McDonald
Rollback by Robert J. Sawyer
The Last Colony by John Scalzi
Halting State by Charles Stross

Link to the full list of nominations

From the Hugo award site:

You do not need to attend Denvention 3 in order to participate in the Hugo Awards. A “supporting membership” will be sufficient to make you a member of the World Science Fiction Society and get you voting rights for both the nomination stage and the final ballot. A supporting membership costs US$50 and you can buy one here.

According to the LA Times, Warner Brothers plans to split Harry Potter and the Deathly Hallows into two movies. Part one will arrive in cinemas in November 2010 and part two will follow in May 2011. It might seem an obvious ruse to add a little more value to the richest franchise in movie history - which has brought in £2.2bn around the world thus far - but those involved insist the decision has been made to serve a story that cannot be properly adapted any more briefly.

Daniel Radcliffe, the series’ star, is quoted as saying “it’s the only way you can do it, without cutting out a huge portion of the book”. He explained that subplots in earlier books could be excised for adaptations, but “the seventh book doesn’t really have any subplots. It’s one driving, pounding story from the word go.”

Link to full Guardian article

Yahoo News reports:

The tale of the Spartan battle of Thermopylae as seen through the unique eyes of graphic novelist Frank Miller captured the top spot at the box office over the weekend, commanding a take of nearly $71 million to become the year’s first blockbuster.

The movie, an adaptation of Frank Miller’s graphic novel 300 (a superhero-style take on the battle of Thermopylae) was shot entirely indoors, with the movie’s impressive skies and landscaped added in later digitally. In an interview with Wired News, director Zack Snyder said, “I wanted to get at the book as much as I could. Shooting outside, we couldn’t control the skies and lighting to the extent I wanted to. And the landscapes are different than in real life. They don’t exist in the real world, only in Frank Miller’s imagination.”

For a taste of the finished product (and some eye candy), see this gallery of photos on the Wired site.

Patricia Schroeder, the president of the Association of American Publishers, said US publishers in China last year suffered an estimated 52 million dollars in losses due to piracy on the Internet.

“Visits to China and discussions with our member publishers reveal a staggering amount of book piracy plaguing this most promising of markets,” she said.

Book piracy also includes illegal commercial scale photocopying of academic materials, print piracy and unauthorized translations as well as trademark counterfeiting, Schroeder said.

Bestsellers such as the Harry Potter series, Dan Brown’s novels and political autobiographies are pirated in English and Chinese within days of their home country releases, Schroeder said.

Link to the Yahoo! News article

Here’s how it works: a producer or production company “options” a book — that is, buys the rights (typically for several thousand dollars) to adapt the book for a period of time (typically from eighteen months to two years). If the producers have not adapted the book when agreed-upon the period of time lapses, the rights revert back to the author. [3] Books are optioned far more than they are produced, and some books have been optioned more than once. But sometimes, a book manages to slog its way through the development process and get filmed.

Is this a good experience for an author?

The rest of the article can be read here.

Best-selling writer Cussler, who has featured Pitt in 19 of his 32 books, is suing Crusader Entertainment, owned by Denver billionaire Phil Anschutz, for making so many script and plot changes to the film version of his book “Sahara” that it was doomed to box-office failure.

“This was not the dramatic, gripping story Clive Cussler told. As a result, the audience just didn’t care,” Fields said in his opening statement. He added that the movie “Sahara” released in 2005 with Matthew McConaughey and Penelope Cruz lost between $60 million and $70 million.

In a countersuit, Crusader said Cussler had overstated by tens of millions the number of books he had sold to induce them to enter the agreement.

Cussler is seeking millions of dollars in damages.

Link to the Yahoo News article

To satisfy the U.S. demand for popular Japanese anime, manga publisher Viz Media has licensed the digital download rights for the hit Japanese TV anime series Death Note, which is based on the bestselling manga series published by Viz in the U.S. It appears to be the first time a U.S. manga publisher has been able to secure the digital rights to a Japanese TV anime series while it is still popular and running in Japan.

Thanks to the Internet, U.S. fans want the most popular Japanese manga and anime right away. Marks said offering downloads is an effort to “satisfy fan demand” and beat digital pirates at their own game. “It’s up on YouTube anyway,” said Marks. “We’d like to have an official version available. It’s an experiment to figure out a way to get material to fans as fast as we can.”

According to the article, the episodes will probably sell for about $1.99 each.
Link to the Publishers Weekly article

Yahoo! has an interesting article about the role of authors when Hollywood decides to put their books on the big screen:

So it was, and so it almost always is: Authors write books. Screenwriters write screenplays. And while there are strong exceptions to every rule (Herman Wouk, Larry McMurtry), a savvy author tends to know when to step aside and let the filmmakers take charge — or, in some cases, the sausage makers. For some reason, authors tend to refer to pork products when discussing Hollywood.

Zoe Heller, author of “What Was She Thinking?: Notes on a Scandal: A Novel” (now “Notes on a Scandal”), shared a few notes with screenwriter Patrick Marber but kept away from much of the production. “I didn’t want to be a fifth wheel lurking around the set,” she says. “It’s a bit like that old line about seeing sausages made: The sausage may be highly delicious when it comes out, but I didn’t necessarily want to be involved in the sausage-making process.”

Whether in the sausage factory or not, authors say they try to detach their mental ownership of the stories from the film versions. Assured that their novel is out on the shelves, they do some self-convincing that what goes up on the screen is from another universe.

Ultimately, watching a professionally made, well-acted version of their story takes some of the sting away.

Link to the Yahoo! News article